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<datacite:identifier identifierType="URL">https://door.donau-uni.ac.at/o:6073</datacite:identifier>

  
<datacite:titles>
  
<datacite:title xml:lang="en">A Cyborg’s Mirror : Exploring posthuman feminist embodiment through a cyborg-choreographic interface</datacite:title>

  
</datacite:titles>

  
<datacite:creators>
  
<datacite:creator>
  
<datacite:creatorName nameType="Personal">Fisher, Katherine Helen</datacite:creatorName>

  
<datacite:givenName>Katherine Helen</datacite:givenName>

  
<datacite:familyName>Fisher</datacite:familyName>

  
<datacite:nameIdentifier nameIdentifierScheme="ORCID" schemeURI="https://orcid.org/">0000-0003-4174-2126</datacite:nameIdentifier>

  
<datacite:affiliation>Hyperreal Lab</datacite:affiliation>

  
</datacite:creator>

  
<datacite:creator>
  
<datacite:creatorName nameType="Personal">Cheng, Mingyong</datacite:creatorName>

  
<datacite:givenName>Mingyong</datacite:givenName>

  
<datacite:familyName>Cheng</datacite:familyName>

  
<datacite:nameIdentifier nameIdentifierScheme="ORCID" schemeURI="https://orcid.org/">0000-0001-9830-9652</datacite:nameIdentifier>

  
<datacite:affiliation>University of California San Diego</datacite:affiliation>

  
</datacite:creator>

  
</datacite:creators>

  
<dc:publisher>Zentrum für Angewandte Spieleforschung, Universität für Weiterbildung Krems</dc:publisher>

  
<resourceType resourceTypeGeneral="literature" uri="http://purl.org/coar/resource_type/c_6501">journal article</resourceType>

  
<dc:language>eng</dc:language>

  
<dc:description xml:lang="en">This paper presents A Cyborg’s Mirror, an interactive performance using real-time generative AI and audience inputs to critically examine identity and embodiment in technologically mediated environments. Drawing on cyborg feminism and posthuman theories, the work disrupts binaries like human/machine and physical/virtual, presenting identity as fluid and co-constructed. Through AI-generated imagery and audience interaction, performers’ bodies become dynamic sites of negotiation, where technology amplifies societal pressures while enabling new expression. By situating hybrid bodies in hyperreal spaces, the piece explores power, representation, and selfhood, questioning human agency’s entanglement with algorithmic processes. This paper discusses the theoretical foundations, design methodology, and insights from public presentations, showing how these interactions redefine embodiment and critique digital mediation’s influence on identity in the age of generative AI.</dc:description>

  
<datacite:subjects>
  
<datacite:subject xml:lang="en">Generative AI in Performance Art</datacite:subject>

  
<datacite:subject xml:lang="en">Participatory Performance</datacite:subject>

  
<datacite:subject xml:lang="en">Hybrid Embodiment</datacite:subject>

  
<datacite:subject xml:lang="en">Real-Time Audience Interaction</datacite:subject>

  
<datacite:subject xml:lang="en">Cyborg Feminism</datacite:subject>

  
</datacite:subjects>

  
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<datacite:alternateIdentifiers>
  
<datacite:alternateIdentifier alternateIdentifierType="DOI">10.48341/xsy7-da97</datacite:alternateIdentifier>

  
</datacite:alternateIdentifiers>

  
<datacite:relatedIdentifiers>
  
<datacite:relatedIdentifier relatedIdentifierType="URL" relationType="IsPartOf">https://door.donau-uni.ac.at/o:5616</datacite:relatedIdentifier>

  
</datacite:relatedIdentifiers>

  
<dc:format>application/pdf</dc:format>

  
<dc:source xml:lang="de">Mad Opinions</dc:source>

  
<citationTitle>Mad Opinions</citationTitle>

  
<datacite:sizes>
  
<datacite:size>2.15 MB</datacite:size>

  
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<datacite:dates>
  
<datacite:date dateType="Issued">2026-02-24</datacite:date>

  
</datacite:dates>

  
</resource>


