door.donau-uni.ac.at o:6073 DOI 10.48341/xsy7-da97 A Cyborg’s Mirror : Exploring posthuman feminist embodiment through a cyborg-choreographic interface This paper presents A Cyborg’s Mirror, an interactive performance using real-time generative AI and audience inputs to critically examine identity and embodiment in technologically mediated environments. Drawing on cyborg feminism and posthuman theories, the work disrupts binaries like human/machine and physical/virtual, presenting identity as fluid and co-constructed. Through AI-generated imagery and audience interaction, performers’ bodies become dynamic sites of negotiation, where technology amplifies societal pressures while enabling new expression. By situating hybrid bodies in hyperreal spaces, the piece explores power, representation, and selfhood, questioning human agency’s entanglement with algorithmic processes. This paper discusses the theoretical foundations, design methodology, and insights from public presentations, showing how these interactions redefine embodiment and critique digital mediation’s influence on identity in the age of generative AI. eng Generative AI in Performance Art Participatory Performance Hybrid Embodiment Real-Time Audience Interaction Cyborg Feminism 2026-02-24T14:43:20.482Z LOMv1.0 Author BEGIN:VCARD VERSION:3.0 N:Fisher;Katherine Helen; FN:Katherine Helen Fisher X-ORCID:https://orcid.org/0000-0003-4174-2126 END:VCARD BEGIN:VCARD VERSION:3.0 N:Cheng;Mingyong; FN:Mingyong Cheng X-ORCID:https://orcid.org/0000-0001-9830-9652 END:VCARD https://w3id.org/kim/hcrt/scheme https://w3id.org/kim/hcrt/text Textdokument Text LOMv1.0 yes https://rightsstatements.org/vocab/InC/1.0 application/pdf 2256816 https://door.donau-uni.ac.at/o:6073 https://door.donau-uni.ac.at/api/object/o:6073/thumbnail LOMv1.0 discipline